D. Scot Miller

'AMERICA' the beautiful

An open letter to Glenn Ligon

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arts@sfbg.com

LIT/VISUAL ART Dear Mr. Ligon,

I'd like to begin this letter with an apology.Read more »

A better tomorrow

Will Alexander seeks a unified-all-inclusive art theory in Compression & Purity

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Looney AutoTunes: KMEL on a Saturday morning, and when urban radio was urban radio

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When I made the promise to listen to 106 KMEL for this piece, I fantasized about a weekend afternoon listening to hip-hop from the golden era of the mid-'90s. I expected a few aggravating commercials, maybe an abrasive deejay or two. Nothing I couldn't handle, right? Wrong. Dead fucking wrong. Read more »

Spirit and soul

Cody ChesnuTT moves past The Headphone Masterpiece to create freely in new ways

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Having uprooted from his native Atlanta to chase his musical dreams in L.A., Cody ChestnuTT and his band, the Crosswalk, landed a deal with Hollywood Records and got as far as recording and mixing a debut album, Venus Loves a Melody, before things went south. In 2002, ChestnuTT took his bass, drum machine, keyboard, guitar, organ, microphone, and headphones into his bedroom and single-handedly crafted his debut album, The Headphone Masterpiece (Ready Set Go). Read more »

New thing

Roscoe Mitchell and Amiri Baraka unite to blow fire and ice in your face

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arts@sfbg.com

MUSIC In his 1963 essay "Jazz and the White Critic," Amiri Baraka (then Leroi Jones) writes, "The New Thing, as recent jazz is called, is a reaction to the hard bop-funk-groove-soul camp, which itself came into being in protest against the squelching of most of the blues elements in cool and progressive jazz. Funk (groove, soul) has become as formal and clichéd as cool or swing, and opportunities for imaginative expression have dwindled almost to nothing."Read more »

Mirrors and masks

In praise of the art book during a Kindle era

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Whirl trade center

Artist Fahamu Pecou builds something from the nothing of current of hip-hop

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Work it!

The "New Creole Culture" of Yvan Rodic's Facehunter dances around the G word
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arts@safbg.com

LIT/VISUAL ART Yvan Rodic has to be one of the luckiest souls on the planet. He'd have to be to make my cynical ass fall in love with him. His new book Facehunter (Prestel, 320 pages, $24.95), a pastiche of photo book, style manual, travelogue and (hallelujah!) manifesto, has just the right combination of couture and subversion to earn a place on every cigarette- burned coffee table in the world. Read more »

Dark mirrors

The black dandy beams from past into future -- sharply attired, of course
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arts@sfbg.com

LIT Recently I was at a meeting with an unnamed arts organization, planning for an AfroSurreal art exhibit. As we were hashing out the details of display, the concept of the black dandy become a bone of contention among my learned colleagues. What was, and is, a black dandy? How does the black dandy differ from the white dandy? What's the difference between a dandy and fop? Aren't those terms interchangeable? Why bother looking at or for a black dandy at all? Read more »

Emory Douglas

GOLDIES 2009 LIFETIME ACHIEVEMENT AWARD: Bringing the militant chic of the Panther image to the masses
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arts@sfbg.com

As a teenager, Emory Douglas was sentenced to 15 months at the Youth Training School in Ontario. It may have been the best thing for him — and the worst thing "the Man" could have done. In the prison printing shop, he discovered a gift for print and collage he would later use as the minister of culture for the Black Panther Party. From 1967 until the party disbanded in the 1980s, his iconic graphic art marked most issues of the newspaper The Black Panther.

Douglas brought the militant chic of the Panther image to the masses, using the Read more »